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The Mirror of the Self: Sexuality, Self-Knowledge, and the Gaze in the Early Roman EmpireBy Shadi Bartsch
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People in the ancient world thought of vision as both an ethical tool and a tactile sense, akin to touch. Gazing upon someone—or oneself—was treated as a path to philosophical self-knowledge, but the question of tactility introduced an erotic element as well. In The Mirror of the Self, Shadi Bartsch asserts that these links among vision, sexuality, and self-knowledge are key to the classical understanding of the self.
Weaving together literary theory, philosophy, and social history, Bartsch traces this complex notion of self from Plato’s Greece to Seneca’s Rome. She starts by showing how ancient authors envisioned the mirror as both a tool for ethical self-improvement and, paradoxically, a sign of erotic self-indulgence. Her reading of the Phaedrus, for example, demonstrates that the mirroring gaze in Plato, because of its sexual possibilities, could not be adopted by Roman philosophers and their students. Bartsch goes on to examine the Roman treatment of the ethical and sexual gaze, and she traces how self-knowledge, the philosopher’s body, and the performance of virtue all played a role in shaping the Roman understanding of the nature of selfhood. Culminating in a profoundly original reading of Medea, The Mirror of the Self illustrates how Seneca, in his Stoic quest for self-knowledge, embodies the Roman view, marking a new point in human thought about self-perception.
Bartsch leads readers on a journey that unveils divided selves, moral hypocrisy, and lustful Stoics—and offers fresh insights about seminal works. At once sexy and philosophical, The Mirror of the Self will be required reading for classicists, philosophers, and anthropologists alike.
- Sales Rank: #1696278 in Books
- Published on: 2006-07-03
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.30" w x 6.00" l, 1.52 pounds
- Binding: Hardcover
- 312 pages
Review
"A dazzling book with a broad field of vision, offering important new insights into Roman cultural psychology. . . . Bartsch commands the field of classics in its entirety, moving from an expert summary of ancient optical theory to a careful analysis of Lucretian poetry, elucidating philosophical subtleties and inserting notes of textual criticism along the way. Her fluent and carefully argued exposition, however, eases this compelling erudition." (Bart Van Wassenhove Bryn Mawr Classical Review 2006-11-28)
"A brilliant and thought-provoking study of the role of mirrors and mirroring in ethical thought. While drawing the proper distinctions between ancient and modern understandings of the mirror, self-mirroring and, indeed, the self, Bartsch cannot help reminding us that ancient conceptions have not been jettisoned wholesale in the march of history. Her book makes stimulating reading for anyone interested in the drama of the ethical life, now and then." (William Fitzgerald Times Literary Supplement)
"A very original, interdisciplinary study centred on ideas and images of selfhood in the first century AD. . . . Bartsch's study is, by any standards, a remarkable achievement, illuminating in its insights and linkages and challenging in its probing of received ideals. It is also written with an engaging combination of critical intelligence and wit, and the book itself is beautifully presented." (Christopher Gill Phronesis)
"Any reader who enters into a dialogue with her ambitious and challenging book will leave it the wiser." (Mark Golden Classical Bulletin)
"This text is complicated, but keeps the attention of the reader; intense and dense, but not monotonous; abstract and rarified, but a cautious and methodical reading overcomes these qualities. This book will be of interest to a wide variety of people intrested in ancient Greece and Rome.' (Edmund P. Cueva Canadian Journal of History)
"[A] thoughtful and thought-provoking study. And although the triad of sexuality, self-knowledge and the gaze seems a somewhat awkward partnership at times . . . the work as a whole offers some valuable new insights into ethics, erotics and optics in the ancient world." (Genevieve Lively Classical Review)
About the Author
Shadi Bartsch is the Helen A. Regenstein Distinguished Service Professor of Classics and the Program in Gender Studies at the University of Chicago. She has served as the editor of Classical Philology and is the author of several books, including, most recently, Ideology in Cold Blood: A Reading of Lucan’s “Civil War.”
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